This week I managed to have two days of very concentrated work on the background. I discovered that if I set my phone to “do not disturb mode” helps not to jump at every incoming sound of messages from the outside world.
And I managed to do a lot:
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THE AYVALIK MOSAIC – Brasilia tenth week
I decided to employ our gardener to help cutting tesserae one day a week. I observed that he is a gentle and careful worker and might be able to pay the necessary attention to detail. My observation is right, he learns fast. With his help at least the stone breaking and shaping into pyramids is going ahead well.
There is still little progress in laying the tesserae onto the design which is my work and I can not concentrate well! There are too many things at the house that disturb my concentration.
The renting of the studio is going ahead. I went again to look at the available studios next to Cida Carvalho. There are 5 rooms available. All with large windows and equipped with lights, plugs and a small bathroom with toilet and shower. So best conditions for a mosaic studio and working with stone and mortar for which I need a small wet space to establish my sintering system in order not to clog the drain.
I also learn that there is a ceramic studio on the same floor. A nice prospect for my works decorating ceramic frames and bottoms of vessels with mosaic\ .
It is not so easy to rent something here in Brasilia when you are a foreigner with no regular income. My husband has to rent the studio for me and a colleague of Martin is willing to be our guarantor which is a requirement for a rental.
When we go to the realtors office to hand in our documents we walk past these interesting mosaics by Martha Poppe, a plastic artist from Rio. Isn’t that a good sign?
mosaic mural by Martha Poppe, at SCS QUADRA – 04 – EDIFÍCIO VERA CRUZ in Brasilia
THE AYVALIK MOSAIC – Brasilia ninth week
This week I start with the background tesserae. Its a mix of beige shaded stones and marbles.
Eda Crema Rosa marble with deep red veins from the quarry of Marmiro Stones near Sivrihisar
white marble not sure from where in Turkey but found on the waste heap of one of the marble dealers in Ayvalik
beige lime stone with black freckles from the bank of the Euphrates
a dark beige limestone, very hard, almost impossible to cut into tesserae, also from the Euphrates
An almost white lime stone from the Euphrates, very soft, almost like chalk
I cut them a bit larger than the tesserae for the fish figures, about 1-1,5 cm2 whilst the colored tesserae are around 0,5-0,8 cm2.
The rocks have been precut into stripes of about 1 x 4 x1 cm by the marble cutting workshop. The steps to prepare them until they are ready to be glued onto the design are:
- breaking the precut sticks into 1cm cubes, for this I use the hammer and hardie or the hydraulic stone breaking machine
- deciding which side will be the best to be the one that will be visible in the end
- cutting the other sides with nippers so that the tesserae looks a bit like a pyramid
- as some of the marbles had a plastic mesh glued to them they have to be sanded so no residue of glue is entering the mosaic and might disturb the cement sticking to the tesserae later
- then its like a puzzle to find the right cube to fit in the line
So all-together: each tesserae goes through my hands at least 5 times before it has the right form and is free of residues and little edges that could break off in the mortar bed. This is very important as not to endanger the stability of the mosaic by cracking.
It takes so long! I have to get help!
My husband and the kids which are great supporters of the whole project help one Saturday for a couple of hours.
The tesserae that the 4 of us manage to prepare in 3 hours last that far:
