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THE AYVALIK MOSAIC – finally in Ayvalik – third week

I did it – the wall parts of the mosaic were installed on Thursday. I find help in a very experienced tiling master. Please see it step by step:

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for the tiles cement we mixed 2 parts of white and 1 part of grey BASF Mastertile 15  tile cement with about 1 cup of terra-cotta pigments dissolved in water,

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applying cement to the wall of the hamam bench

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the mosaic tiles laid our near the place that they gonna be installed

sieving a little bit of dry sand with a fine sieve over the mosaic in order to close the grout lines so that the cement can not fill the grout lines completely

sieving a little bit of dry sand with a fine sieve over the mosaic in order to close the grout lines a little bit so that the cement can not fill them completely.

 

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applying tile cement to the part with the dolphins head

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Yusuf is a great tiler with a lot of patience. Without ever having worked with this technique he did an excellent job in putting all the tiles exactly fitting into each other in place. And he was not disturbed by my nervousness…

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putting the tiles exactly next to one another  and in the right hight

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Yusuf exercised great care to join the tiles on their puzzle like edges

 

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The first tile sticks

We mixed terra cotta pigments with water and mixed that with 2 parts white and 1 part grey BASF master tile 15 tile cement

Ready! On Sunday I will wet them and hopefully take the boards away on Monday.

THE AYVALIK MOSAIC – finally in Ayvalik – second week

My dearest readers, I have to disappoint you:

there is nothing spectacular to show about the Ayvalik Mosaic yet. This week I tried installation techniques. Its all very technical in the following post.

But first the achievements:

All background stones are cut and tumbled. The two areas that still had to be filled with background  and all the conture lines around the figures were completed.

The kurna is made and ready to be tiled with mosaic.

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The last 3 days past with measuring the wall parts.  From the part with the dolphins head and the long fish I had to cut off 1cm in order to have the tesserae not go over the top edge of the wall.

Unfortunately the parts of the other bench are still to short and I have to add another 10 cm background left and right. Grrr!

The tesserae are glued in reverse onto craft paper and the craft paper is glued to 3mm Mdf board all with water soluble glue. This made the transport and now the handling in the trials very easy. Of course the one or the other tesserae comes loose and falls off but its easy to glue them back.

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in this pic the wall parts are lying on the benches. I will install them on the front of the benches.

Finding the right tile cement  here in Ayvalik was easy. Our builders use BASF Master Tile 15 fine grain. I made the first sample with this but it is too dark. I decided to make the tile cement and the grout the same color just to be sure that if the cement comes up to the surface of the tesserae it will not be visible because it has the same color then the grout. Making  small trial samples in a hidden corner was a bit painful for my legs but in the end the samples are protected as there is still building work going on in the rest of the room.

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The two little wall samples that I prepared just in reverse method on paper were easily installed with a mix of thin set cement and latex diluted in water 1:1. The Working with the same cement (which had the consistency of a paste)  on the floor and trying to put stone by stone was a catastrophe. All the stones sank in because the mortar was far to soft.

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Then I made the good old roman cement again just to get the feel of  its consistency once more. After that I was able to produce the same in thin set mortar. It has to have a consistency  like  soft play dough.

The second trial with this cement went well I could just loosely stick the tesserae onto the surface and then pound them to the right level using a board and a hammer.

So I am confident about handling the cement now. Just did not get to the grout yet.

On Friday the Getty Institute left an invitation in my inbox about an upcoming exhibition of mosaics from different areas of the Roman empire. The article behind the link gives a nice and short overview of some of the mosaics and their origins that will be displayed in the exhibition in Los Angeles.

Yesterday morning I was greeted by our neighbors  goats with a fresh jump into spring. Sooo sweet.

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Refugee Community Mosaic

Today is international women’s day. I want to remember an amazing project for international women’s day 2015 that I consider myself lucky to have been part off.

The women4women production inspired and directed by Miriam Engstrom is a project that gives women a chance to express themselves in an event through visual and performing art. The project is set up in a way to encourage women that have never done such thing before to participate in theatre and music performance and an exhibition .

By coincidence Miriam and I lived for some time together in the same neighborhood in Ankara. We had a kind of regular morning walk habit in our local park together and during this  I was expressing my dream of creating a community mosaic to Miriam.  We were speaking about the fact that mosaic making requires a lot of time and that refugees have a lot of time as they are often waiting for years for their applications to be administered and during that time are often not allowed to work officially.

So we came up with the idea of running mosaic workshops with refugees. As Miriam is supporting a refugee women’s group in Kirikkale near Ankara and was in the process of planning the women4women 2015 show the idea of a refugee community mosaic being exhibited at the show was born.

Through Miriams  experience from working with refugee women in Turkey the task had the following constrains:

  1. refugee families are moved around between different designated cities in Turkey and their lives are shattered, so participants  might only be able to attend a workshop for a very short period
  2. each participants should take their work home after the exhibition for to have  something to remember and be proud off

Out of this I created the following idea for the workshop:

Each participant can do one mosaic that is in an individual frame. These mosaics can be hang together as a mural. After the exhibition each crafter can take their part of the mural home and it is a piece of art in itself. This also reflects the situation of refugees and expatriates alike as we are never for long in one place and a mural that appears and disappears reflects the mobility in our lives.

The areas for the mosaic should be small enough to be filled by a mosaic pattern in 2 workshops of each 4 hours. This I was told was a realistic timing for the participants to commit to. We ran the workshops on 4 weekends in February 2015 taking each weekend a group of 12 refugee women for 2 sessions – one on Saturday and one on Sunday  in order to get to at least 40 mosaics. For the logistics we used the network and the facilities of the Jesuit Refugee Service in Ankara and Kirikkale.

In the end I decided to only offer one pattern for practicality and easy teaching. The lines within the geometric islamic patterns symbolize eternity and form very different patterns again and again and again. As these patterns are found in buildings in Syria and Turkey and are very decorative I chose the star from this beautiful decor from the Great Mosque in Damascus.

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A decorative detail of Damaskus Mosque which inspired the star design

In December 2014 I collected all the material and in  January 2015 I tested the timing and materials with a couple of friends that never had done mosaic before and at the same time trained a few volunteers to be instructors. The amount of volunteers from the international community that contacted me during the project was overwhelming and I could almost not handle so much interest and willingness to support the project. Around 70 women produced 50 mosaics not only in making mosaics but also in taking care for the kids of the women that made the mosaics, translated Arabic – English,  talked to the participants about their impressions during the workshops,  gave instructions in  mosaic making, helped hanging the mural and taking it down again, provided catering for the event and took these amazing photos.

Sara& from Iraq

starting with a ceramic frame where the square centre is decorated with mosaic

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star rays made out of Iznik tile pieces, (which were cut from broken tiles collected from souvenir shops in Ankara) glued onto the star shape that were drawn with a stencil onto the ceramic field

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then background was filled with grey marmara marble tesserae

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the most tricky part was to cut and fit the tesserae around the star shape

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grout is setting

 

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grout is being washed off

RCM Feb 15 kids mosaic

Of course the kids did not want to play with toys but with tesserae too …

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Look at their creations. Fantastic!

Refugee community mosaic mural

refugee community mosaic at the Farabi Sahnesi

mosaic exhibition foyer

the exhibition in the foyer was complemented by other mosaic and ceramic works and a collection of sayings about stones from different cultures and languages, on stage there was an exhibition of paintings by women

 

The refugee community mosaic was entirely sponsored by private sponsors and a lot of in kind support: the marble was given and cut by the mermerci for free, participants of Dogal Tas Atelier cut all marble into tesserae, other materials and tools and the exhibition hanging system where sponsored by private persons, one picture framing shop fitted the mosaic frames with hooks for easy hanging, spouses of heads of diplomatic missions sponsored the transportation and food for the refugee women to take part in the exhibition.