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Collecting Stone at the Euphrates river

A special post needs to be written about the collection of lime stones at the banks of the Euphrates.

During all the days in Gaziantep and in Nusret’s atelier we were discussing the material for the background of the mosaic. It should be of a beige or cream color. I wanted to use the marble that we are also using for our kitchen floor in the  Ayvalik house in order to have continuity in color and material. But Nusret really dislikes the structure of the marble and keeps telling me that there is a beautiful lime stone at the bank of the Euphrates river that would be excellent material for the background.

I can not decide for a long time. Partly I feel Nusret is right, the marble crumbles quite a lot. But I have it in the Atelier, waiting to be cut – so easy.
On the other hand it is also very attractive to go out and find stone – and even more to find it at the place where maybe the stone for the original mosaic also has come from!!! So at last, 4 days before I have to leave Gaziantep, I finally take the decision to go and collect THE LIMESTONE.

So we plan a trip to Belkis Dam and also have a BBQ at the Zeugma excavation site. On Saturday Aug 15 we are leaving Gaziantep in the morning  with tools and meat  and Ayse joins us with a beautiful salad made out of green lentils.

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And it becomes a memorable day.
We are searching very near the dam. On the sandy road we pass the new Belkis village which was built as compensation for the flooded village where Nusret comes from.
In the rocks at the bank of the river Nusret is feverishly looking for the right stone, climbing along the edge of the water and moving impossibly heavy stones up the steep cliff. I am very much afraid he will loose his balance and fall but he develops an incredible strength and liveliness.

With a pointy hammer he tests if the rocks are suitable for breaking them into small tesserae. It is not that difficult to see if one cuts off a little bit. One can see it by the texture of the stone and how it behaves when it is cut.

We return to the excavation house with about 10 beautiful beige rocks.

After a nice BBQ with some members of the excavation under the straw roofs of the excavation house we come home around midnight  with about 50kg of beige lime stone like in the original mosaic and from the ground where the original tesserae might have come from 2000 years ago!

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THE AYVALIK MOSAIC – Gaziantep fourth week

This week is all glueing stones onto the canvas and let the fishes and other sea creatures come alive!

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the crab is ready!

We also drink arab style coffee and eat freshly made lachmanchun for which the filling is made by Nadide, Nusret’s wife and which is then being baked in the neighborhood bakery. Lachmanchun is a very thin dough topped with a thin layer of minced lamb that is mixed with spices and herbs. This with fresh ayran, the salty drinking yoghurt is the best lunch you can have in extremely hot Gaziantep summers.

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This week I have moved from the hotel to Ayse Gultekin’s home. Ayse lives in Gaziantep and offers me the room of her son who is on holiday with his father.
Her spacious flat really reminds me of eastern Germany with the tram rattling by on the street outside and its parquet floor and double french doors.

In the past years the Ministry of Culture of Turkey has opened 12 regional conservation laboratories to take care of conservation of state owned cultural goods in museums and on sites.  Ayse heads the lab in Gaziantep. During her career she lived and worked in Germany so we could speak German together!

Every night we meet in the kitchen. It is extremely interesting to talk to her about her career in restoration and conservation and her current work.

In the mornings I go to work with the tram and enjoy tremendously to leave the house early and come back late, completely ecsausted but often to a warm meal cooked by Ayse. It feels so wonderful to be the one that works 10 hours a day and is coming HOME compared to my past 20 years when I always was the one in the house receiving the family members who where coming home from work and from school.

This week I also get the opportunity to join Ayse on a trip to the new mosaic museum in Antakya /Hatay province.

Ayse not only lets me a room she also lets me use her car so that I also had the opportunity to visit Zeugma archeological site which is about 30 km from Gaziantep and meet with Prof Selcuk Sener one of the most experienced conservators for mosaic in Turkey.

Zeugma 2015 Excavation Site

Zeugma 2015 Excavation Site

THE AYVALIK MOSAIC- Gaziantep third week

In the last week I have learned a lot about suitable material for a floor mosaic.

For example: not every marble is suitable for a floor mosaic, which people will walk on. Some marble is so porous that it crumbles when cut into small pieces. That definitely can not be used for floor mosaic tesserae. Lime stone is much more dense and when broken down into small pieces cuts well without crumbling. But it needs a strong arm to be cut initially.

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So the hydraulic machine comes in handy to cut the material into  of 4-5cm long and 1cm high stripes from which it is easy to cut with hammer and hardy into tesserae.

Nusret is mostly very unhappy with the marble I brought. But I cling on to using it after all this effort of finding and bringing it to Gaziantep!
In the end we decide to take more of the lime stones that Nusret Usta has in his workshop. He collects them all the time and they are lying around in every corner. He gives them names of the places he finds them in: there is the Adiyaman Stone, and the Gaziantep Stone and the Belkis Stone.

We take the big blocks of stones to a marble workshop that makes mainly marble kitchen worktops, to be cut into 1 cm thick discs by a rotating stone cutting machine.

The cutting master agrees to do our job after work. Tahir, the hairdresser has organized the contact because the owner  is one of his clients .

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3 different colors of lime stone on the cutting machine

By the end of the week we have 2 fishes finished and are very proud!

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