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This little town of mine let it shine

Watsonville/CA, street view with giant community mosaic murals at the city parking garage in the background

…. this verse slightly altered from a song I once sang with my choir comes to my mind being around Kathleen Crocetti and her mosaic projects in Watsonville. Her dream is to make Watsonville the Barcelona of California together with the young community of the 50.000 inhabitants of a small agriculture town situated in the fertile back garden of Monterey Bay/California. A lot of nutrition is produced and exported here on large farms with immigrants hands. Strawberries, lettuce, artichokes, apples you name it have been tended to since over 100 years by many groups of immigrant workers. Some stayed. At the moment 85% of Watsonville’s population is of Mexican heritage. Still the average income here is a quarter less than that of near by Santa Cruz/CA. The difference in between pitoresque coast dwellings like Monterey or Carmel and Watsonville is striking on first sight. In the coast cities individual wealth designs beautiful cost homes and inviting shop fronts and brings in enough tax money to make sturdy wooden public walkways with views of the beautiful coast.

Coast at Carmel /CA

Members of the city council at the Ribbon cutting ceremony of the COVID 19 memorial in Watsonville/CA on September 14, 2022

But watch it: in Watsonville the COMMUNITY gets together to beautify their environment with mosaic art. Yesterday I was fortunate to be present at the ribbon cutting ceremony of a butterfly sculpture decorated with two types of mosaic. This is Watsonville’s memorial for their citizens that died of COVID 19. Much harder hit than other areas the city is mourning until now 105 death coursed by the pandemic.
Kathleen Crocetti, the mosaic artist, bidding for the public grant went to speak to several community members that lost beloved ones. In conversation with the community the symbol of the butterfly was found. The butterfly is representing life that transcends into death in Mexican culture. As a senior public artist Kathleen took young artist Monica Galvan on board to introduce her to the skills of public art.

Monica Galvan & Kathleen Crocetti artists of the COVID memorial of Watsonville/CA

The two worked each on one side of the sculpture, Kathleen in shiny glass mosaic and Monica handmade more than one thousand marigold flower heads in tile and offered the public in several open sessions to place one for a family member or friend that they are mourning. They had a good outcome of participation.

I consider myself  very fortunate to have helped finishing the butterfly sculpture on Tuesday this week. It was touching to hear the overall positive comments of the passerby’s whilst we were on our knees grouting and cleaning the Marigold flower tiles.

Watsonville COVID 19 memorial, cleaning and grouting the marigold flower tiles to get ready for the inauguration

As I am finally interning with the “community art and empowerment” project I will write more about this little town of Watsonville that is shining through it’s collectively crafted mosaics. Keep watching out for more stories on my blog!

Giant community mosaic murals at the city parking garage in Watsonville/CA

Mosaics of Bergama/Pergamon

Many of you know the famous “Pergamon Museum” in Berlin. Where is this place Pergamon? I had the chance to visit the archeological museum of the ancient city Pergamon in Turkey this summer again. 7 years ago during my mosaic conservation studies at the University Ankara I spent one day with the conservation team of Bergama Archeological Project. During that day I was given permission to photograph the mosaics from the masque mosaic floor which originates from 2.c AD. The mosaic is beautifully preserved and presented in the building Z on the Acropolis hill of the Archeological Museum Bergama . It was a joy coming back after all this time. The gallery below is a mix from my recent photos and the photos of 2007. Enjoy!

 

On our stroll through the ruins one small detail took my attention. I saw a braided pattern in a stone carving on one of the unearthed pieces exhibited which reminded me of a similar pattern in ancient mosaics. Funnily I could find this detail in one of the floor mosaics in building Z on the Akropolis Hill in the archelogical museum of Bergama.

Braided stone carving at archeological museum Bergama

braided mosaic design in floor mosaic, 2.c AD, building Z, Bergama

 

Pique Assiette using ancient Chinese porcelain

Pique Assiette is a mosaic technique that was invented around 1930 by a grave yard digger in Chatre in northern France.  He decorated his house in- and outside with shards from broken plates and cups. “Pique assiette – Picked up plates” since then has developed into a well known mosaic technique. I would say in the past 10 years the technique saw a revival. Famous artists like Gila Rayberg in the US use this technique masterfully to make their projects.

When SuNan from the porcelain studio Caicifang in Beijing contacted me about an exhibition of my mosaic art and workshops in their studio, I was intrigued to use this technique with ancient Chinese porcelain shards.

One of the neighbouring shops of Caicifang is a sculptor who makes the mascot of Beijing – the rabbit god in many different shapes and colours. There is a lovely story about this mascot:

The rabbit is the pet of the moon goddess Chang-e. When there was a plague in Beijing and inhabitants of the city fell ill and died, it pitied Chang-e and she sent her pet the rabbit down from the moon to Beijing with healing herbs to help cure the people from the disease.

I picked this motive for the workshops for this very timely story during the pandemic and of the simple features of a rabbit – his ears.

Rabbit God, 2021, 18x12cm, Pique Assiette&Kintsugi, Caicifang Gallery, Beijing

The workshop became a hit. The ancient shards with their multifacetted  patterns and forms let many funny creatures appear. What fun this was.